This article could also be called My Stupid Mouth, since it was from my mouth after all, that I heard myself habitually pointing out to Unitedstatesans the horrible history they have made. And that they are making. And it has only struck me now...now that my US History Teacher FLUNKED ME with a capital D. All of a sudden I'm self-conscious of how I really find it hard to relate with these descendants of war when all that I can think while they are driving their electric buses down clean fast paced lifeways dotted intermittently with the camouflaged hobo in the perfect San Francisco sun and Western Sea air and beautiful white women with their murdered blonde hair. And I think, you have so much blood on your hands from the bloody money that bought my country and the bloody backs that bore the slavery of blacks. Sunglasses today. ipods tomorrow. Harry Potter and the return of the Cadillac
And I think, even though it's painful and even though it's true, I've just got to say it to you. Because you act like it's not happening. And because of your not acting on its change. And what am I doing? I'm collecting. (Did you know that all machines that take coins in this here city accept peso coins as quarters? Which with the "current exchange rate" at 56:1, the "Change exchange Rate" is 14:1. 'La lang. That's probably how most millionaires from the Philippines make their money. They come to the states with a shitload of pisos and use them to buy all the cans of soda and ride all the buses and trains that they can. It's genius. Can you imagine back to the time that the "public exchange rate" was 2:1? Then we could have used our pisos back then and our currency would have actually been stronger. But only in vending machines, Bart stations, and Muni buses.)
But seriously, there are good things in this world thanks to the 'cans. Like the internet. And um... hmmm.... anyway, the internet {BBC podcast: http://audio.theworld.org/wma/2005/07293.wma} If there is a tool that breaks down barriers, blurs if not erases borders, and raises the questions of an international governing body/bodies, it's the net. It's really ushered in a big way a level of connectedness that G7/G8, or the UN or the WB or the OC in the WC could never do. Kablam. Toto, I don't think we're in the eighties anymore.
Ah, the USofA. Snake oil salesman who went home with the Rotisserie--As Seen On TV! "You live by the packaging; you die by the packaging." That should be on the lips of every environmentalist in the world. There's no doubt. This is a throwaway plastic society. Recyclable and with a V8 engine... I swear, look at your life. Doesn't matter where you are. In my life, at least, the scariest toys in the world say MADE IN THE USA. Bein a good little Indian.
Wednesday, August 24, 2005
Running Late
Tuesday, August 23, 2005
Before we forget completely
Monday, August 22, 2005
Sunday, August 21, 2005
I wish
When you see me making a wish, do you try to guess what I am wishing?
Well, I wish you wouldn't. Because then you would know that behind that penerating gaze is a shell--thin as a veil and empty as hell.
Catching floating flowers and releasing them on bonds payable next to never; crossing locomotive tracks with a singe stride; a candle on a cake; an eyelash.
Today--what remains of it--the memory of a week and sixty years comes and goes in a flash and the bang of a atomic bomb's mushroom cloud flattening a city and burdening a generation with the evils of their lords and mighty ones; warmongers and Presidents.
This week, I've been listening to the Technology Podcasts of Clark Boyd, BBC in Boston. This week, I've been listening to the accounts of the survivors, the memories that have only in this day and age surfaced. The memories interpreted are like my own. They are now my own.
I live very close to Japantown. In fact, I pass it everyday. Twice.
If I wished a wish, it would be never to hear a word said in anger again. Never to have a word said in anger laid in a fertile mind whereby only hurt and pain would grow. Never to have an idea of hate escalate into violence.
To those who have looked and found nothing new in this space, I apologize. I know what it feels like. I've been visiting stagnating blogs myself. Erch.
But I've also been busying myself with a new original song that I've been composing. An old one. Wrote it in 1999 in CDO. "Mercy me, is that a skyscraper I see lying on the ground?..."
You'll hear it soon enough.
Well, I wish you wouldn't. Because then you would know that behind that penerating gaze is a shell--thin as a veil and empty as hell.
Catching floating flowers and releasing them on bonds payable next to never; crossing locomotive tracks with a singe stride; a candle on a cake; an eyelash.
Today--what remains of it--the memory of a week and sixty years comes and goes in a flash and the bang of a atomic bomb's mushroom cloud flattening a city and burdening a generation with the evils of their lords and mighty ones; warmongers and Presidents.
This week, I've been listening to the Technology Podcasts of Clark Boyd, BBC in Boston. This week, I've been listening to the accounts of the survivors, the memories that have only in this day and age surfaced. The memories interpreted are like my own. They are now my own.
I live very close to Japantown. In fact, I pass it everyday. Twice.
If I wished a wish, it would be never to hear a word said in anger again. Never to have a word said in anger laid in a fertile mind whereby only hurt and pain would grow. Never to have an idea of hate escalate into violence.
To those who have looked and found nothing new in this space, I apologize. I know what it feels like. I've been visiting stagnating blogs myself. Erch.
But I've also been busying myself with a new original song that I've been composing. An old one. Wrote it in 1999 in CDO. "Mercy me, is that a skyscraper I see lying on the ground?..."
You'll hear it soon enough.
Tuesday, August 16, 2005
Prepostrophe S
Dear Northern Americans (aka Unitedstatesans),
"Dick's car is red." -- correct
"My friends are all loser's." -- wrong
"The cabin's interior smelled of juniper." -- correct
"I don't like to read book's." -- wrong
"That's entertainment!" -- correct
"It's howl was heard for miles" -- wrong
How, on the other hand, the prepostrophe S finds its way into certain nouns and pronouns based on a clearly guidelined rule of possessive nouns and contractions is beyond me.
I feel like The Oakland baseball team once owned something...but no one knows since it was jacked and they know where you live.
When I see an ad for Adult CD's and DVD's, I wonder why they try to conceal C's and DV's identity? Everybody knows C and DV.
What's going on here? In the Philippines, we used to point and laugh. We'd think about it later that night and laugh again!
Now it's not funny.
And niether are periods. In advertisement headlines and taglines. But that's a rant. For another day.
You're going to he'll,
Carlo's
"Dick's car is red." -- correct
"My friends are all loser's." -- wrong
"The cabin's interior smelled of juniper." -- correct
"I don't like to read book's." -- wrong
"That's entertainment!" -- correct
"It's howl was heard for miles" -- wrong
How, on the other hand, the prepostrophe S finds its way into certain nouns and pronouns based on a clearly guidelined rule of possessive nouns and contractions is beyond me.
I feel like The Oakland baseball team once owned something...but no one knows since it was jacked and they know where you live.
When I see an ad for Adult CD's and DVD's, I wonder why they try to conceal C's and DV's identity? Everybody knows C and DV.
What's going on here? In the Philippines, we used to point and laugh. We'd think about it later that night and laugh again!
Now it's not funny.
And niether are periods. In advertisement headlines and taglines. But that's a rant. For another day.
You're going to he'll,
Carlo's
Sunday, August 14, 2005
Funny Thing Happened On My Sketchbook
Saturday, August 13, 2005
I Ride The Bus At Night
Not a deadhensons follow up, but certainly a title that would unsurprisingly wind up on an LP with a purple monster mouth open.
But I went downtown last night to meet an old friend, Gurr, to recap the last year's events. Looking out the window, under the slightest of intoxication, secretly watching my co-riders' reflection, I saw the people walking on the street, thinking, they looked a lot different from the people I saw everyday on the same bus, on the same street, in the daylight.
I came upon a single, self-telling conclusion.
This is when the freaks like me come out. The suits are gone and all that's left are the straight jackets.
Photo courtesy: www.johnlubotsky.com/ images/bus_by_night.jpg
Thursday, August 11, 2005
The problem with language
is that people can speak it without knowing it.
Or maybe the problem is people are too smart for their own good.
I was sitting at a the SFJAZZ Summerfest, a free concert held in Union Square this afternoon, having randomly decided to sit and wait there while waiting for 6:30 to come. Up on stage was the Arlington Houston Quintet. As expected these talented musicians take turns doing their solos.
Okay, keep in mind while I'm recounting this that I was completely sober when I was watching. But it totally bugged me when the crowd would robotically clap after every solo.
Were the musicians blowing our minds?
Were they making us laugh with odd turnarounds or familiar hooks?
Was someone in the crowd whooping infectuously to the language of the brass...or the stand up bass...or peaking on E as they tickled the ivory?
No.
Mankind has just been puppy dog trained to be courteous. Okay, perhaps appreciative.
Here's the thing though. A society that prides itself in its predictable social niceties is grinding itself into the ground, smoothing jagged edges and wearing down distinguishing features so that no one gets hurt, and so that nobody stands out and gets the nasty look. The Evil Eye.
The last note in a sax solo (especially sax/trumpet/drum) is like a flashing APPLAUSE APPLAUSE APPLAUSE sign hanging over our heads, telling us that something is not only funny or entertaining that lauging or whooping is enough, but something is moving us with the holy spirit of performance to clap! and double our audible signs of approval.
If you prick us, do we not bleed?
If you tickle us, do we not laugh?
If you poison us, do we not die?
And if you bust out an awesome solo, shall we not ovate?
Or maybe the problem is people are too smart for their own good.
I was sitting at a the SFJAZZ Summerfest, a free concert held in Union Square this afternoon, having randomly decided to sit and wait there while waiting for 6:30 to come. Up on stage was the Arlington Houston Quintet. As expected these talented musicians take turns doing their solos.
Okay, keep in mind while I'm recounting this that I was completely sober when I was watching. But it totally bugged me when the crowd would robotically clap after every solo.
Were the musicians blowing our minds?
Were they making us laugh with odd turnarounds or familiar hooks?
Was someone in the crowd whooping infectuously to the language of the brass...or the stand up bass...or peaking on E as they tickled the ivory?
No.
Mankind has just been puppy dog trained to be courteous. Okay, perhaps appreciative.
Here's the thing though. A society that prides itself in its predictable social niceties is grinding itself into the ground, smoothing jagged edges and wearing down distinguishing features so that no one gets hurt, and so that nobody stands out and gets the nasty look. The Evil Eye.
The last note in a sax solo (especially sax/trumpet/drum) is like a flashing APPLAUSE APPLAUSE APPLAUSE sign hanging over our heads, telling us that something is not only funny or entertaining that lauging or whooping is enough, but something is moving us with the holy spirit of performance to clap! and double our audible signs of approval.
If you prick us, do we not bleed?
If you tickle us, do we not laugh?
If you poison us, do we not die?
And if you bust out an awesome solo, shall we not ovate?
Monday, August 08, 2005
Ah, me!
So ladies and germs, I am officially into this blogging thing. I have scoped out the necessary tools to make this a more friendly place for tourists and thrill seekers to explore, frolic, and stay. If that plug doesn't get them through the proverbial door, then I'll start to promise money.
I figure it will start to happen anyway. I'm not aware that blogspot.com has any sort of spyware, but I just registered on myspace yesterday so I could view Angie's ...space, and I get an email from Aida asking if I had an account with myspace!?
Aliens? Natural Born Citizens? Well well well. Look do we have here, 'ika nga (or as they say..."As They Say").
I figure it will start to happen anyway. I'm not aware that blogspot.com has any sort of spyware, but I just registered on myspace yesterday so I could view Angie's ...space, and I get an email from Aida asking if I had an account with myspace!?
Aliens? Natural Born Citizens? Well well well. Look do we have here, 'ika nga (or as they say..."As They Say").
Friday, August 05, 2005
Munuh-munuh
SAN FRANCISCO (CG) - The Dead Hensons--the latest Muppet Show Cover Band to sweep through the town since Furry Socks With Mouths Sewn Into Them (Patent Pending). This multitalented band of 1-2-3-4-5-6-7-8-9-10-11-12...no seriously, 8 players, ah-ah-ah-ah-ah! (krgzzzzzsh! boom!) has won the heart of this 70s kid.
With improvised gag lines in loving memory of Waldorf and Statler (W: There's nothing like a good Rock Band S: Yes, they were nothing like it) embedded in the most sensational inspirational celebrational Muppetational theme, songs from Sesame street --Lowercase n and the anthemic Capital I-- and of course, the flippant but complex jazz tune, Munuh-munuh, these guys were Drive, drive, driving their car of polka, funk, and soul gently down the street of creative ditties that captured generations on end that had some of the shortest attention spans in pre-adolescent history.
Two of my favorite songs played tonight were "My First Day Of School" by The Count, CTW-ASCAP
(excerpt)
(Creepy organ music begins)
The first day that I went to school yes, I remember clearly
My mummy made me leave at home the spiders I loved dearly
I felt a little sad as I walked through the classroom door,
But then I saw more children than I'd ever seen before.
"Ah ha!" I cried, "this new school will be fun
For I can count all of the children one by one"
not to mention "Ladybugs' Picnic"
They talked about the high price of furniture and rugs
And fire insurance for ladybugs
The ladybugs 12
At the ladybugs' picnic
12!
which was (of course) by Don Hadley (words) and by William Luckey (music). (Of Course)
Deep in my heart, and I know my sisTer will know this just as deeply, I wanted to hear The Alligator King, which you can hear on http://members.tripod.com/Tiny_Dancer/alligator.avi. God Bless! I'm getting goosebumps listening to it now.
(Okay, I'm not THAT old. I was born in 1979 but I had 354 days of it to enjoy as a 70s kid.)
These guys onstage though, they were a class act, with a drumming cutie who could tapdance and play the washboard, another bass playing hunny who kazooed her way to the top, the sleazy 70s beefcake who did the creepy vocals to the Nightmare Band song (he also wore a pastel plaid suitjacket and played trombone that was sprouting sunflowers, but I think only I noticed) and the rest of the band who could play the clarinet, accordion, and the banjo.
True to form, they sold their album on 7" vinyl, probably to escape royalty violations and yellow t-shits with their band name and Ernie and Bert with Groucho Marx facegear. Why that makes so much sense...I don't know.
But one thing is for certain...this is what they call the Muppet Show.
courtesies:
http://sesame-street-lyrics.wonderlyrics.com/The-First-Day-Of-School.html for The First Day of School
http://members.tripod.com/Tiny_Dancer/ladybug.html for the Ladybugs' picnic
http://pbskids.org/sesame/images/count_tunein_3.gif
Tuesday, August 02, 2005
James Doohan 1920-2005
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