This is my latest artwoork. I was able to get hold of Inseeyah's camera (albeit sneakily, hi-hihihi-hihi!) and took this single light photo of the CLIO award, the highest honor in advertising (which could be construed to mean being the Overlord Satan in the Fiery Pits Of Hell).
This will be sent out to all locally-based agencies in San Francisco as an invite to our school's playing of the CLIO Reel at 491 Post. The evening's secret theme is Hot Damn (tchang-inang init yan!).
It might look like it was really easy to make. And it does. What isn't apparent is the work that a designer has to make so that everything looks and flows as it should.
And when text is added, you have nuance, logic, sense, and a whole lotta letters to love.
"Way, way, down inside/Honey you need ice/ Wanna give you my love/Every inch of my love...Yeah/"
Wednesday, September 28, 2005
Tuesday, September 20, 2005
Would You Like the Sense of Sight?
Sure there's tons to see
Sex and violence on national TV
With movies and ads telling me
Who I want to be
I'll skip the Last Action Hero's fight
Give up my sense of sight.
Sex and violence on national TV
With movies and ads telling me
Who I want to be
I'll skip the Last Action Hero's fight
Give up my sense of sight.
Saturday, September 10, 2005
The Big Mouse City
Friday, September 09, 2005
City Mouse in the Big Mouse City
I nervously thought of how I would ask this girl that I just met. We were talking about Cirque de Soleil at 10 in the morning. She was a fine arts student. I am in advertising.
Outside, the momentary center of our attention, the Cirque freeway billboard stood as it did before we talked about wanting to see it. So I figured I would ask to see her either before or after the show, so that we could talk about it.
I rehearsed it in silence thinking that I had a simple goal. To make a connection with someone who was placed there for me to meet in room 501 even though she was a fine arts student painting on the floor designated for advertising.
It was alright, she had said. She started going to the academy in the advertising department but because she had no time to draw or paint, she was made to choose her true love.
Too much concepting, she had said. What?, I had thought.
All I do is draw and paint (in Photoshop) when making addenda to my concepts. It's called putting flesh on the bone, lady!
Meanwhile, I'm cooking up my vague plan to "meet up with" her "before or after the show...so we could talk about it." I'm such a dork. What was she...15? No, about 21 or 22. But I digress. I should have the balls to strike up conversation AND have the mojo on call. And I can't walk away shaking my head...feeling shot down...not after years of experience and having snagged the prettiest, sexiest, least tameable, stunningly smart, most kwela women IN THE WORLD. And this girl with the swollen lips with the newsboy hat laid low over her brow sent me packin wit nuttin.
It's like highschool, I like to say. What I'm really doing is subconsciously trying to invoke the past...which is like the drug that you reach for in the middle of the night. Clawing at it. Trying to catch enough of the blue smoke that it leaves behind when your hand passes straight through it and it disappears.
Enough of that. I'm not in highschool anymore. I love my work too much to let it get sidetracked by heartache, longing, and daydreaming. So let's draw.
Thursday, September 08, 2005
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